Jual Earthquaker Disaster Transport Advanced Modulated Delay & Reverb Machine: Earthquaker Disaster Transport Advanced Modulated Delay & Reverb Machine
Earthquaker Disaster Transport Advanced Modulated Delay & Reverb Machine
Price
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Rp 5.990.000
Rp 4.790.000
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Disaster Transport SR™
Advanced Modulated Delay & Reverb Machine
The
Disaster Transport SR is a dual delay with reverb and modulation. It
was designed from the ground up to create an intense wash of lo-fi
swirling tape styled echo. While it may look intimidating at first
glance, it’s actually pretty easy to navigate. The top row of controls
are for delay A and the bottom row of controls are for delay B. Delay A
is a 600ms delay with modulation and delay B is a 300ms delay with
reverb. Both delays can be run separately, in parallel, in series or in
series/parallel. To take it one step further, there are also expression
controls for the repeats on delay A as well as bleeding delay A into
delay B. The switching was designed so each delay can be used
individually or in tandem with both true bypass or trails.
Controls
Disaster-Transport-SR-Delay.jpg
The controls for delay A and B are separated by row. The top row is for delay A and the bottom row is for delay B.
Delay A Controls
Time: Controls the delay time from about 30ms up to 600ms.
Repeats:
Controls how many regenerations of the signal there are. This ranges
from one single repeat through an endless wash into self oscillation.
This can also be controlled via an expression pedal. The Moog EP-2 is
recommended.
Mix: Level control for the wet signal. Unity is
around center, anything above is boosted. Boosting this works great when
using a distorted signal. Please keep in mind this is a gain control, a
bit of hiss is normal when it’s above unity.
Depth: Controls the intensity of the modulation, from no modulation to all out seasick pitch bends.
Rate:
Controls the rate of the modulation. The LED for delay A flashes in
time with the modulation to visually show where the rate is set.
Bleed:
This feeds delay A into delay B, post reverb (see block diagram for
visual explanation). Use this control for series or series/parallel
operation to create rhythmic repeats, extra long delay time or an all
out echo wash. This can also be controlled via an expression pedal. The
Moog EP-2 is recommended. When using the bleed, experiment with the
repeat controls on each delay line. Try using them in different
settings, both together and individually, for different timing and
textures.
Delay B Controls
Reverb: Controls the amount of reverb added to the input of delay B.
Mix:
Level control for the wet signal. Unity is around center, anything
above is boosted. Boosting this works great when using a distorted
signal. Please keep in mind this is a gain control, a bit of hiss is
normal when it’s above unity.
Repeats: Controls how many
regenerations of the signal there are. This ranges from one single
repeat through an endless wash into self oscillation.
Time: Controls the delay time from about 30ms up to 300ms.
Switching
The
switches for both delays switch the inputs only. The outputs are always
connected. This allows you to have trails by always leaving the bypass
switch engaged or to use the bypass switch as the master on/off for true
bypass. Additionally, you can feed delay A in to delay B with the bleed
control without having delay B switched on for a cleaner rhythmic
delay.
Disaster-Transport-Jacks-Switches.jpg
Signal Flow & Notes
Disaster-Transport-SR-Signal-Flow.jpg
Signal
Path Block Diagram Explanation: Delay A and B levels can be adjusted
with the Mix control. Dry signal is always present at unity level. The
Bleed control is used to feed the output of delay A into the input of
delay B. If the Bleed control is set anywhere above zero, you will hear
the output of delay B being fed by delay A, regardless if delay B is
switched on or off.
Series Operation: Delay A is switched on
and set to taste, Delay B is switched off and set to taste and the Bleed
control set to taste.
Parallel Operation: Delay A is switched
on and set to taste, Delay B is switched on and set to taste and the
Bleed control is set to zero (no bleed).
Series/Parallel
Operation: Delay A is switched on and set to taste, Delay B is switched
on and set to taste and the Bleed control set to taste.
Delay A only: Delay A is switched on and set to taste, the Bleed is set at zero and Delay B is switched off.
Delay B only: Delay A is switched off, the Bleed is set at zero and Delay B is switched on and set to taste. |
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